Sir,—Laurence Fenton’s article (Artefacts, HI 23.4, July/Aug. 2015) featured the engraving of the Immaculate Conception sent by William Smith O’Brien from Brussels in 1855 to Daniel Doyle. The print was not identified but it is a simplified version of a work now known as The Immaculate Conception of Los Venerables, or of Soult, painted in ... Read more
