Consider the following scenario. Two musicians are comparing tunes. As one plays the other smiles appreciatively and enquires: ‘Where did you get it?’, to which the player replies: ‘’Tis in the book’. The listener nods. No further explanation is necessary. ‘The book’ in question—The Music of Ireland—was compiled by Francis O’Neill, collector, musician, adventurer, and … Read more
Few figures in Irish history have dominated their times in the way that Daniel O’Connell did. For three decades he personified the aspirations of nationalists and was revered by millions. The popular adulation that he enjoyed, however, was not a natural phenomenon that somehow ‘happened’. In many ways it stemmed from the deliberate and remarkably … Read more
The Parnell sisters are exemplars of two distinct and typical streams of female action in the nineteenth century. Fanny excelled in the traditional field of philanthropic and fund-raising activities, and as a ‘poetess’, all considered suitable occupations for middle class ladies, while Anna was far more radical and militant than was conventionally acceptable. While both … Read more
The presentation of Irish culture as a commodity has developed into a remarkable world-wide phenomenon in recent years. The success of Irish writers, musicians and dancers on the global stage continues to surpass all expectations, and shows no signs of abating. In Ireland itself, the latest economic boom (however selective), combined with the evolving peace … Read more
Anne Devlin’s gravestone in Glasnevin Cemetery, Dublin, tells us that she was ‘the faithful servant’ of Robert Emmet, but that otherwise she lived ‘in obscurity and poverty’, dying in September 1851, aged seventy. It was through her connection with Emmet that she achieved fame, although that connection lasted for only a few months in the … Read more